The Culture Cowboy

Month

March 2012

Mar 31, 2012546 notes
uuuh, so i just checked my camera without the SIM card in it, and found only one photo....

fwips:

image

Mar 31, 201229,112 notes
Mar 31, 2012487 notes
Mar 31, 2012111,989 notes
Mar 30, 20121,929 notes
Now That I'm Real (How Does It Feel) ft. Rose Dagul

soundcloud:

Sebastian is from Stockholm, was at the very first SoundCloud opening party, loves the sound of a great laugh & he is one of the newest SoundCloud team members to join us in Berlin! Listen to one of his favorite sounds by Chad Valley, check him out on the blog & say “Hej”!

Blog post: http://blog.soundcloud.com/2012/03/30/sebastianrazola/

Mar 30, 201213 notes
Mar 29, 2012919 notes
Mar 29, 20121,032 notes
Mar 28, 20122,062 notes
Mar 28, 20125,368 notes
les yeux: Each Sound, Dorianne Laux → superfriend.tumblr.com

superfriend:

Beginnings are brutal, like this accident
of stars colliding, mute explosions
of colorful gases, the mist and dust
that would become our bodies
hurling through black holes, rising,
muck ridden, from pits of tar and clay.
Back then it was easy to have teeth,
claw our ways into the trees —…

Mar 28, 2012254 notes
“I love being rather unfathomable.” —Zelda Fitzgerald (via effinglioness)
Mar 27, 2012133 notes
Mar 26, 20122,793 notes
Mar 26, 2012811 notes
Mar 26, 201296 notes
Mar 26, 201263,395 notes
07 A Gentle Awakening JD McPhereson

yvynyl:

JD McPherson - A Gentle Awakening

I’m really feelin’ the laid-back, almost mournful style of this song from the Broken Arrow, Oklahoma songwriter. His is a decidedly retro Americana - blending rockabilly and country and swing and even spirituals in the deftest of strokes. Quality stuff like chapped work hands, trusty pickup trucks and denim jackets.

Listen to more of his debut Signs & Signifiers EP on his Sndcld and pick it up on wax over at Histyle Records.

Mar 26, 201298 notes
morse code & eyelashes

soundcloud:

SoundClouder of the Day | Mega Bruiser | Morse Code Eyelashes

Mega Bruiser (aka Andrea) creates great sounds, super ballads & makes great use of our tagging system. Take a break & listen to some hugstep & dream ballads! She is our SoundClouder of the Day!

Mar 26, 201216 notes
Play
Mar 26, 20122,268 notes
Play
Mar 25, 20122 notes
Mar 25, 20121,104 notes
For those who think I rant about the patriarchy and misogyny too much → facebook.com

thelittlekneesofbees:

From: Julia Maddera, Georgetown University ‘13.  

To the first man, who I met by the Eiffel Tower my second week in Paris, when I didn’t know better.  Who took me out four times, who waved little red flags that I tried to ignore.  Like asking me outright if I was a virgin on the first date, like calling me five different pet names when I’d asked him not to throughout the second, like saying he’d heard that feminists were not real women during the third, like disappearing for a week and a half after the fourth.  Who, as it turns out, was not the bullet, but the careening fourteen-wheeler that I narrowly managed to dodge.  Who admitted that he hit the young woman that his mother was trying to force him to marry.  Who didn’t want to marry her because he believes in romantic love.  Who doesn’t see the contradiction in those two sentences.

To the guy in my medieval literature class, who lent me one of Camus’ plays and showed me around the library.  Who wants to use his French education not to escape to the West, but to go back to his third-world home country to teach at its eight-year-old university.  Who I admired until he asked me what my American boyfriend had thought about me coming to Paris, until he demanded to know why I didn’t have one (a boyfriend, that is), until he asked if it was required that I marry an American.  Who reached out and touched my earrings, without asking, the next time he saw me.  Who won’t take a hint. 

To the PhD student who tried to take me up to his apartment after a five minute conversation, when I had just wanted to get lunch, who said there’s a first time for everything.  Who told me that we were university students, living in a 21st century democracy, and that relations between men and women were different now, so what was I so scared of?  Who recoiled in shock when I told him that I had friends who’d been raped, and by other university students, at that.  Who does not have to think about rape on a daily basis.  Who insisted on paying for my lunch, because “it was a matter of honor.”  Who then physically prevented me from handing my money to the cashier, when I was trying to make it clear that this was not a date.  Who didn’t believe me when I said I didn’t want a boyfriend, five times.  Whose number I blocked the moment I stepped on the metro.  Who has called me three times since.  Who told me he wants to go into Senegalese politics.  Who, I can only hope, will listen to the women of his country better than he listened to me.

To the delivery guy on the red motorcycle idling outside of the apartments on Avenue de Porte de Vanves, the ones I walk past every day, who said bonsoir and who, because I said it in return to be polite, followed me to the metro as I walked, head twisted down, pretending that I didn’t understand the language I’ve studied for eight years.

To the two men Thursday night in le Marais, swaggering drunk toward me, ignoring the male friend standing by my side, who leered at my chest and slurred, “Bonsoir, comme tu es mignonne,” as I shoved past them, trying to sound angry, not afraid.  Who left me feeling fidgety and panicked, so when I took the night bus in the wrong direction and found myself alone with two other strange men at a bus stop at 2:30 A.M., I let the cab driver fleece me out of 25 euro just to take a taxi home.

To the group of teenage boys loitering on the corner by my apartment, who decided to sound a siren at my approach because I was wearing a knee-length dress and a bulky sweater.  Who made me regret forgoing tights because I had wanted to feel the spring air on my calves for once.  Who will never have to wear an itchy pair of pantyhose in their entire lives.  To whom I said nothing, because I still have to walk past that corner twice a day for the next three-and-a-half months, because there were five of them and one of me. 

To the three men standing on the corner of the periphery five minutes later when I was crossing the street.  To the one who motioned for his friends to turn and look at me, quick, and then left his wolf-whistle ringing in my ears, shame like sunburn covering my face.  Who didn’t care that it was broad daylight.  Who made me wish that I could swear a blue streak back in French, without my accent betraying that I am American, which is another word for “easy” here.

To the two men at sunset on the bridge by Saint Michel, in the middle of tourist central, who made skeeting noises at me, like a pair of sputtering mosquitoes, to get my attention.  Who laughed when I flipped them off, and who kept hissing at me anyway.  Who forced me to keep checking over my shoulder, all the way to the metro, to make sure that I wasn’t being followed.

But also to the French friend who blamed my problems with French men on my university in the northern suburbs, a Parisian synonym for emeutes, gang violence, and immigration.  Who insisted that if he brought me to his upper-crust private (white) university—where the French elite reproduces itself into perpetuity—I would meet nicer French guys.  Who forced me to defend the men who’d harassed me against his barely-veiled, racist critique.

And also to the American friend at home who nearly rolled his eyes as he half-listened to my stories, who said, “Oh god, it’s hard being so attractive, isn’t it?” as if I was being vain.  Who laughs and does not understand why I always duck out of the frame of photographs, who knows nothing of what my body means to me. 

And that’s just two months in Paris. 

To all the Italian men who made me wish I had dyed my hair black before studying in Florence, who kept me from going out dancing because I got sick of feeling them creeping up behind me, sneaking their hands around my waist (and lower) when I’d already said NO three times.

To the six-foot-something Georgetown student who prided himself on protecting the girls from being groped on the dance floor.  Who chose to write about the rape of the Sabine woman for that week’s assignment.  Who described the way her breast slipped free of her tunic when she fell, as if he was writing a porno, not a rape scene, who had the woman fall in love with her Roman rapist the next morning, after he spun her a tale of the coming glory of his country. Who said “in a fit of passion, she thrust herself upon his member” and was not joking.  Who ended the story with the titular character saying to her children that she had been raped, but only at first.

To the seventh-grade boy who told my younger sister that he could rape her, if he wanted to.

To the gang of twenty-five year-olds in the Jeep who hollered at her as they drove past, leering at her thirteen-year-old body dressed in sweat pants and a tank top.  Who made my sister, fearless on the soccer field and in the classroom and in the karate studio, run home crying. Who were the reason she became afraid to walk the dog by herself in our “safe, suburban” neighborhood.

To my father, who said, “What white male privilege?”  Who was not being ironic.

image

Mar 25, 201213,074 notes
#equality
(You're So Square) Baby I Don't Care Buddy Holly

thatkindofwoman:

( You’re So Square) Baby I Don’t Care - Buddy Holly

Mar 25, 2012368 notes
Play
0:36
Mar 25, 201210,437 notes
“they simply never understand,
do they,
that sometimes solitude is
one of the most beautiful things
on earth?”
—Charles Bukowski (via thechocolatebrigade)
Mar 25, 20125,118 notes
“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals—sounds that say listen to this, it is important.” —Gary Provost (via qmsd)
Mar 25, 201269,271 notes
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Mar 24, 201282 notes
Mar 23, 20122,594 notes
Mar 22, 201228 notes
this isn't happiness.: Jack Kerouac’s List of 30 Beliefs and Techniques for Prose and Life → thisisnthappiness.com

nevver:

  1. Scribbled secret notebooks, and wild typewritten pages, for yr own joy
  2. Submissive to everything, open, listening
  3. Try never get drunk outside yr own house
  4. Be in love with yr life
  5. Something that you feel will find its own form
  6. Be crazy dumbsaint of the mind
  7. Blow as deep as you want to blow
  8. Write what you want bottomless from bottom of the mind
Mar 22, 20122,457 notes
Mar 22, 20121,289 notes
Play
Mar 22, 201255 notes
Mar 22, 20121 note
Mar 22, 201215 notes
Play
Mar 22, 201215 notes
Mar 20, 20124,429 notes
Mar 20, 20123 notes
Play
1:08
Mar 20, 2012162,636 notes
Mar 20, 2012195,933 notes
Mar 20, 2012725 notes
Mar 20, 201224,379 notes
Mar 18, 201270,175 notes
Mar 15, 201278 notes
Mar 15, 201293 notes
Mar 15, 20124,564 notes
Gimme Shelter → LSTN.in

dotdotdotexclamationmark:

Gimme Shelter: Playlist feat. Hospitality, Rolling Stones, Fleetwood Mac, Yves Montand, The Kills + more. http://LSTN.in/fhgz8 #chill

Playlist:

1. The Rolling Stones - Gimme Shelter 2. Jack White - Love Interruption 3. The Kills - Wait 4. Hospitality - Julie 5. Fleetwood Mac - Gypsy 6. Jack White - Never Far Away 7. Explosions in the Sky - Yasmin the Light 8. Donovon - Jersey Thursday 9. The White Stripes - Its My Fault for Being Famous 10. Sam Cooke - You Send Me 11. Fiona Apple - Shadowboxer 12. Hospitality - Friends of Friends 13. Yves Montand - Rue St. Vincent 14. The Rolling Stones - I am Waiting 15. The Kills - Sweet Cloud 16. The Who - The Kids are Alright 17. The Rolling Stones - Can’t You Hear Me Knocking 18. Deep Purple - Hush 19. Fleetwood Mac - Dreams 20. The Who - A Quick One, While He’s Away 21. Velvet Underground - Sunday Morning 22. Franco Battiato - Ruby Tuesday 23. Fiona Apple - Sullen Girl 24. Unit 4 + 2 - Concrete & Clay 25. Faces - Oh la la

Mar 15, 20121 note
#music
Mar 15, 20125 notes
Mar 14, 201295 notes
Mar 14, 2012113 notes
Mar 14, 201216,412 notes
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